Recording Software Update

Recording software continues to evolve, packing increasingly potent features like amp modeling and drum looping into amazingly affordable programs for PC, Mac or both. While the average new PC or Mac has more then enough processing speed and installed memory to handle most popular recording applications, you’ll want to make sure that your current computer is up to the task.
By Dave Simons
Recording software continues to evolve, packing increasingly potent features like amp modeling and drum looping into amazingly affordable programs for PC, Mac or both. Higher-end applications typically offer audio bit/sampling of up to 24-bit/384kHz, diversified audio import/export functions, a wide range of plug-in options, the ability to easily sync audio with video, and other essentials. However, if you just want to be able to track and embellish song ideas in simplified form on your laptop, you can often get away with spending a whole lot less.
While the average new PC or Mac has more then enough processing speed and installed memory to handle most popular recording applications, you’ll want to make sure that your current computer is up to the task (particularly if it’s been around for a while). For example, the suggested system requirements for Cakewalk’s SONAR 8.5 Producer program include at least 1GB of RAM coupled with an Intel Pentium 4 2.8 GHz or AMD Athlon XP 2800+ or higher processor. Other augmentations such as a good sound card, a physical mix surface and an external audio interface capable of handling multiple inputs/outputs are worth considering as well.
The following is a list of some of the latest wares from long-time industry leaders, ranging from the ultra-basic (and occasionally free), to more sophisticated applications sturdy enough to handle pro-level production chores. As you will see, even top-shelf brands like Ableton and Cakewalk offer budget alternatives, a sign of the increasingly intense competition at the lower end of the chain.
Cakewalk SONAR 8.5 Producer ($500): Cakewalk’s latest provides professional-grade digital-audio composing/editing/recording/mixing/mastering, along with a full compliment of virtual instruments and can be easily linked to a physical mix interface. Sonar’s “Track Template” feature, which allows users to select from a list of pre-determined sonic palates, gets you up and running that much faster; the Native Instruments Guitar Rig 3 LE plug-in supports scores of classic tones. Bit/sample ratios of up to 24-bit/384kHz ensure the highest-quality sound reproduction; the pro-level editing suite supports group editing and other essential functions. Get started on the cheap with Cakewalk Sonar Home Studio 7 ($50), a no-frills package that offers an impressive assortment of tracking and production options for PC users. (OS: Windows; Producer can be run on Mac OS X using Boot Camp)
Ableton Live 8 ($500): Though geared toward the mobile user, this popular sequencing software/DAW package works equally well at home as a recording and compositional tool. The latest incarnation, Live 8 (issued in mid-2009), comes with a packed menu of recording and editing tools, and includes an array of impressive effects, loops, sequencers and other functions suitable for both traditional and techno types. A new Drum Rack installation provides a multitude of rhythms in a pinch, and its easy-to-understand user interface is designed for worry-free live automation. Ableton’s entry-level product, Live Intro ($100) offers multitrack recording/editing/mixing with extras such as beat-making and effects processing. (OS: Windows and Mac)
Adobe Audition 3 ($350): Appropriate for both pro media types and project-studio enthusiasts alike, this program (formerly known as Cool Edit Pro) combines DAW-style multitrack recording/mixing/editing/mastering functionality for desktop-based studio workers. Version 3 (from late 2007) offers royalty-free loops as well as pro-style effects processing (including analog delay, tube limiter, and numerous amp modelers). You can swap virtual instruments at will through Audition’s sequencer using a MIDI host track. The program’s editing menu facilitates simultaneous auto-crossfading of multiple clips and supports other edit-based functions as well. (OS: Windows)
Sony Acid Pro 7 ($250): Another mainstay on the DAW software market, Sony ACID Pro has been around since the late ‘90s when it made its debut as a loop-based sequencer and subsequently gained favor among producers and songwriters. The latest release, Version 7, comes with a beefier multitrack recording facility, MIDI sequencing and surround-sound mixing, as well as improved loop-based tracking functionality. Other augmentations include additional input busses, expanded import/export options and spiffier beatmapping. A free 10-track version, ACID Xpress, is also available, as is the budget-level ACID Music Studio 7 ($50). (OS: Windows)
n-Track Studio 6 ($64, with free trial): Software maker FASoft’s latest addition to the budget studio market, n-Track Studio 6 (released in February 2009) covers a lot of the ground required by modern music makers, including full multitrack recording and editing, on-board effects, surround mixing, MIDI file drag-and-drop, third-party plug-in compatibility, as well as AVI/MPEG format support for syncing video with audio.
Supports 16- and 24-bit audio, with expansion to 64 bits available. (OS: Windows)
GarageBand 5.1 (included with Apple’s iLife applications suite): Still one of the most popular home-recording programs on today’s market is Apple’s GarageBand, a versatile and easy-to-use installation. The latest app, GarageBand 5, includes eight simultaneous recording tracks, a streamlined menu system as well as electric-guitar effects and amp modeling. (OS: Mac OS X)
Audacity (free): This widely used and highly popular cross-platform download makes a suitable solution for those who want simplified digital-audio tools without all the high-tech mucky muck. Version 1.3.11 (issued earlier this year) includes multitrack mixing, editing and effects processing, basic sound manipulation (such as pitch and speed shifting), noise suppression, importing/exporting of popular compression formats, and other options. (OS: Windows, Mac, GNU/Linux, others)
Posted Feb 22, 2010
Member Comments
Interesting no mention of Cubase or Nuendo two very powerful DAW programs.
While I am personally no fan of Protools there is no mention of it either.
Presonus also recently entered the DAW race with Studio One. Propellerhead has thrown the offering into the ring with Record,
Another very good and powerful program that is gaining ground
is Reaper.
Cubase is a great program for music Production, for the song writer, the single station post work jingle writer. Nuendo Picks up where Cubase leaves off with the Post Production world. The Great tools in Cubase make it a single DAW that works for every need. Not to mention Steinberg is the company that gave the digital recording world technologies such as VST, ASIO, Rewire (collaboration with Propellerhead) My bias is obvious here, however having said that, a program to watch and I believe is making a very under the radar gain in momentum is Reaper. While is is currently not much for providing a lot as far as virtual instruments it is a very solid DAW and there are some great third party companies making amazing VST instruments. With the Price of the DAW being very reasonable it opens the door for the Engineer to put his money into Plugin(s) The musician into Virtual instruments, allowing the individual to build the virtual environment that suites their need best.
This is an amazing time to be involved with the music and the media world. Paradigms are changing the music business is evolving and it’s all coming closer to home while expanding our backyard. The local garage band, DJ, Remixer can create great sounding products distribute them and live the dream if only on a local level, but also with the internet on a global level as well. This allows greater artistic freedom and truly gives both the musician and the listener a opportunity and freedom. Lets continue to encourage the software companies to create products that allow us to work and collaborate with each other instead of the proprietary way things have been done in the past. If your truly a good product you have nothing to fear and the cream will rise to the top.
Would say just my two cents but I think maybe it’s a quarters worth.
I would also add MOTU Digital Performer. The most recent version, DP7, is now quite guitar friendly. Unfortunately it’s only available for Mac. Pete Townshend is a huge fan of Digital Performer and has been using it since the 1980s. MOTU makes great products that are available for both Mac and PC.
I would like something, within a poor man’s budget, under $100.00, that one could plug a guitar, electric bass, use a microphone for a mandolin, banjo, etc., and record MIDI one track at a time.
I don’t play keyboard, and that seems to be the only cheap instrument that will record MIDI.
I use an older version of Cakewalk Home Studio and Band-in-a-Box 11.