FAQ

When it comes to demos, the simpler the better. Nothing ruins a great song like a bad presentation so keep it to three songs maximum with guitar and vocals, or piano and vocals only. Always leave room for the imagination of the listener. See Don’t Demo to Death! article.

As a songwriter, you inherently own the publishing rights to your music and you retain creative control.

It varies depending on the co-writing situation. What is important is that all writers as a collective agree on the decision.

A cue sheet is a listing of the music used in a TV show or movie by title, composer, publisher, timing and type of usage (e.g., background, feature, theme) usually prepared by the producer of the program or film. Again, if your songs are registered, then the information will come automatically.

A synchronization license for the use of a song as an accompaniment to a film or television show. The rate is usually negotiated by a music publisher.

No, that’s part of the PRO’s function. If your songs are registered with a performing rights organization and you are receiving radio play, then the PRO will get that information automatically.

You should register your songs as soon as you have officially registered as a songwriter. Again, most offer online works registration or you can call your local office for the paperwork.

First and foremost you should consult an entertainment attorney before signing any contract, as there is no such thing as an “industry standard” contract.

Home recording is so inexpensive to do that it shouldn’t be an obstacle for anyone. A nice home studio can be set up for under $500. Or you might be able to work something out with a local recording studio, which are hurting since the home recording revolution took hold.

We don’t shop deals for affiliates as a general practice, but if we hear something that is extraordinary, we certainly make our friends in the A&R community aware of the artist.

- J.W. Johnson, Artist Relations Executive & Songwriter101 Faculty Member